弗朗西斯科·拉
搜索"弗朗西斯科·拉" ，找到 16部影视作品
导演：
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威廉·弗莱德金
剧情：
Four see高甫洁dy criminal outcasts risk their lives in pursuit of redemption, both legal and moral, by driving unreliable trucks stocked with nitroglycerine through dangerous landscape to cap an oil well fire in a Central American banana republic. Featuring a trance-like score by Tangerine Dream and a visceral, astonishing performance by Roy Scheider, Friedkin's reinterpretation of Clouzot’s 1953 masterpiece is perhaps the best remake of all time and is among Friedkin’s most daring works. Three sequences alone –a chaotic car crash in Boston, the u安德烈皮吉斯nloading of charred bodies in a Central American village, and the explosives laden trucks crossing a rickety storm-blown bridge – render Sorcerer a classic and retain their power 校园风流邪神txtto make audiences gasp. Released the same year as Star Wars, Friedkin's audacious masterpiece represents the braver road abandoned by the studio system.
导演：
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莫洛·鲍罗尼尼,维托里奥·德西卡,皮埃尔·保罗·帕索里尼,佛朗哥·罗西,卢基诺·维斯康蒂
剧情：
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away污到你那里滴水的文 the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
导演：
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路易斯·布努埃尔
剧情：
长年在修女会中修行的维莉蒂安娜（Silvia Pinal 饰）即将立誓归宗，嬷嬷建议她在仪式前探望资助人叔叔海麦，维莉蒂安娜前往叔叔在乡间的大宅，岂料海麦因她酷似自己妻子而动情，维莉蒂安娜短暂停留后即将返回修女会，在动身的王牌对王牌第一期前夜，海麦央求她穿上了妻子的婚纱并向维莉沉沦的校花蒂安娜求婚，被拒后指使女仆用药麻醉了她。第二天海麦自杀身亡，维莉蒂安娜返回大宅决定留下，海麦的私生子何塞（Francisco Rabal 饰）携女友也来到大宅，马上雇人重整荒芜田地，同时维莉蒂安娜邀请一些流浪汉与病乞共享大宅，维莉蒂安娜照顾他们的生活，带领他们虔诚祷告，试图为他们提供神的帮助。何塞的女友大感失落宣布分手，趁维莉蒂安娜与何塞进城的功夫，病乞和流浪汉们登堂入室，将大宅搞得一团混乱。 本片是布努埃尔宗教三部曲的第二部，获1961年戛最近的2019中文字幕国语纳电影节金棕榈奖。
导演：
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米开朗基罗·安东尼奥尼
剧情：
天空微白，已是黎明时分。可对于里卡多（弗朗西斯科·拉瓦尔 Francisco Rabal饰）来说，这却是痛苦而残酷的一夜。无论里卡多怎样苦苦哀求维多利亚（莫尼卡·维蒂 Monica Vitti饰）回心转意，她已然心意已决，执意离去。维多利亚来到罗马证券交易所找她的母亲，远远地就看见母亲与经纪人皮耶罗（阿兰·德龙 Alain Delon饰）兴奋地聊着股票。皮耶罗年轻潇洒，风度翩翩，很会讨女人欢心，而这对维多利亚来说毫无兴趣。但一种莫名的强大吸引力在两人之间慢慢滋生，然而两人谁也未曾踏出第一步。当她再次来到交易所时，却遇到股票狂跌，维多利亚的母亲也亏了很多钱。不安的维多利亚，觉得皮番号宝耶罗可以成为自己可靠的保护人。然而当两人终于在一起时，隐藏在他们背后的复杂关系又使他们彼此疏远。 由意大利现代主义电影导演米开朗基罗·安东尼奥尼执导的《蚀》，与《夜》、《奇遇》共同构筑了安东尼奥尼的《现代爱情三部曲》。安东尼奥尼的作品一直关注着人类精神状态的病态与疏离，本片的背后依旧是他所要传达出的人文道德危机和精神的空虚。本片荣获1962年第15届戛纳电影节评审团特别奖，入围1962年第15届戛纳电影节金棕榈奖。
导演：
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米开朗基罗·安东尼奥尼
剧情：
天空微白，已是黎明时分。可对于里卡多（弗朗西斯科·拉瓦尔 Francisco Rabal饰）来说，这却是痛苦而残酷的一夜。无论里卡多怎样苦苦哀求维多利亚（莫尼卡·维蒂 Monica Vitti饰）回心转意，她已然心意已决，执意离去。维多利亚来到罗马证券交易所找她的母亲，远远地就看见母亲与经纪人皮耶罗（阿兰·德龙 Alain Delon饰）兴奋地聊着股票。皮耶罗年轻潇洒，风度翩翩，很会讨女人欢心，而这对维多利亚来说毫无兴趣。但一种莫名的强大吸亨利和琼下载引力在两人之间慢慢滋生，然而两人谁也未曾踏出第一步。当她再次来到交易所时，却遇到股票狂跌，维多利亚的母亲也亏了很多钱。不安的维多利亚，觉得皮耶罗可以成为自己可靠的保护人。然而当两人终于在一起时，隐藏在他们背后的复杂关系又使他们彼此疏远。 山里红动动广场舞由意大利现代主义电影导演米开朗基罗·安东尼奥尼执导的《蚀》，与《夜》、《奇遇》共同构筑了安东尼奥尼的《现代爱情三部曲》。安东尼奥尼的作品一直关注着人类精神状态的病态与疏离，本片的背后依旧是他所要传达出的人文道德危机和精神的空虚。本片荣获1962年第15届戛纳电影节评审团特别奖，入围1962年第15届戛纳电影节金棕榈奖。
导演：
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斯泰尔维奥·马西
剧情：
意大利警察尼克不满自己的待遇和所处的生活chinese gaytube环境,考虑辞掉警察工作,而他的好友托尼则为了养家糊口，接受了为大商人做保镖的工作，并邀请尼可一起帮忙，尼克看在老朋友份上答应了托尼，却不聊那位商人还是遭到了暗杀，托尼也惨遭杀害，当然他也立刻成为的敌人的目标。
&大型黄油手游网站amp;nbsp; 神墓全文txt下载; 作为一名警察，尼可假扮那次暗杀活动中的一名司机，独闯虎穴。在女团伙成员维维安的帮助下，尼可终于搞清了这伙国际暗杀组织的底细，但同时他也将他自己和维维安的处境立于极其危险的境地......
导演：
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弗朗切斯科·博里尼
剧情：
Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing. Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa? Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a t女劫hick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.
导演：
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恩佐·卡斯特拉里
主演：
剧情：
二次世界大战，希特勒妄图入侵英国本土，摧毁英国研发的雷达系统和空军武汉十七中教室基地指挥部。英军陆军上尉保尔（弗雷德里克·斯塔福德 Frederick Stafford饰）发现德国特工可能听不到的说话冒充英国士兵潜入英国，因此...
导演：
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米开朗基罗·安东尼奥尼
剧情：
天空微白，已是黎明时分。可对于里卡多（弗朗西斯科·拉瓦尔 Francisco Rabal饰）来说，这却是痛苦而残酷的一夜。无论里卡多怎样苦苦哀求维多利亚（莫尼卡·维蒂 Monica Vitti饰）回心转意，她已然心意已决，执意离去。维多利亚来到罗马证券交易所找她的母亲，远远地就看见母亲与经纪人皮耶罗（阿兰·德龙 Alain De俄罗斯APPLE STORElon饰）兴奋地聊着股票。皮耶罗年轻潇洒，风度翩翩，很会讨女人欢心，而这对维多利亚来说毫无兴趣。但一种莫名的强大吸引力在两人之间慢慢滋生，然而两人谁也未曾踏出第一步。当她再次来到交易所时，却遇到股票狂跌，维多利亚的母亲也亏了很多钱。不安的维多利亚，觉得皮耶罗可以成为自己可靠的保护人。然而当两人终于在一起时，隐藏在他们背后的复杂关系又使他们彼此疏远。 由意大利现代主义电影导演米开朗基罗·安东尼奥尼执导的《蚀》，与《夜》、《奇遇》共同构筑了安东尼奥尼的《现代爱情三部曲》。安东尼奥尼的作品一直关注着人类精神状态的病态与疏离，本片的背后依旧是他所要传达出的人文道德危挠脚心动画片机和精神的空虚。本片荣获1962年第15届戛纳电影节评审团特别奖，入围1962年第15届戛纳电影节金棕榈奖。
