Anne
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迈克尔·哈内克
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40岁的Erika Kohut（伊莎贝尔·于佩尔 Isabelle Huppert 饰）表面上是一个优雅的钢琴老师，外形独特、气质出久爱成疾在线观看在线播放众，但对学生却无比严厉。同时她的母亲专制又无理，波多野结衣快播无休止的折磨令Erika的各种欲望都无法发泄。于是Erika只好躲在厕所用剃刀伤害自己以求快感，嗅着内裤上的味道以发泄欲望，还去租看色情录像带。当18岁英俊冲动的Walter（伯努瓦·马吉梅 Benoît Magimel 饰）闯进她的生活时，一切都改变了。他们互相需索互相慰藉，Erika以为她终于找到了自己的幸福，然而年少的Walter有一日厌倦了这种关系……
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Carl Bessai
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一场车祸，改变了三个家庭的命运。凯恩（Carrie-Anne Moss 饰）失去了16岁的长子，整日沉溺在关于儿子的每点滴回忆中不能自拔，丈夫邀请朋友开释凯恩心情但适得其反，小儿子则因凯恩的忽视倍感落寞；丹尼斯身患自闭症，无法与别人正常交流，他的教授哥哥正与美女气象播报员打得火热，但这段关系看起来像是逃避，因为教授出于愧疚一直试图给丹尼斯介绍女朋友；青年约迪由管教所获释，但他仍无法同父亲达成和解，比约迪大不了几岁的继母横阻在夫子之间，约迪和继母发生了关系，短暂的欢愉之后他发现自己必须脱离家庭……三个家庭在夜色中相遇，他们必须走出各自的阴影。 本片获2009年加拿大吉尼奖最佳男配角奖。2007年温哥华国际电影节最佳西加拿大电影。
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杨斯·连恩
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对于年过不惑的安德里亚斯（Trond Fausa Aurvaag斯荣德•福斯•奥瓦格 饰）来说，人生似乎在没有什么值得留恋的了，他选择结束自己的生命。他的灵魂乘坐巴士来到一片平静的土地，这里与人间没有什么区别，而且更加平和安宁。 人生仿佛重头开始，安德里亚斯得到一幢舒适的别墅和一份安逸的工作，生活没有压力，很快与周围的人打成一片，并且结识了美丽的室内设计师安妮•碧特（Petronella Barker 饰）。生活惬意，饮食无忧。 但是没有痛苦的世界却也缺少活着的感觉，安德里亚斯再次想到自杀，却发现死亡如今已成为奢望……
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Wannes Destoop
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内详
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After losing everything, Ferry retired for a life below the radar, far away from Brabant. On the surface, he seems to be doing well, surrounded by superficial contacts. But deep down, his inner voice haunts him, preventing true happiness. Ferry's past is filled with violence, lies, and a trail of betrayal. He battles with his conscience while trying to keep a low profile. Why would our tough yet charming drug lord come out of retirement for one last trick..?
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Omar Deroca
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strong childhood bond between two girls grows into something more. As they explore their bodies, Pin and Aya soon learn that their feelings for each other are beyond friendship. With their friendship at stake, will they risk it all?
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特拉维斯·兰德
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一个放错地方的行李箱让一位被解雇的科技营销人员和一位名誉扫地的新闻记者走到了一起，他们必须抛弃冷酷的心，回到以前的生活，找到他们从未知道的爱情。
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Ilan Duran Cohen
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法国有个疯狂喜剧的传统，这一部简直得心应手。单是情节已经够颠，雌雄密探去学歌剧，想刺探寡妇学生可能拥有的绝密情报，却发现歌剧班像间谍集中营，人人来者不善，觊觎寡妇团团转。大颠大肺密集笑弹背后，其实讲音乐，讲现代情欲，也讲纯真不再。所有角色在跟时间赛跑，寡妇的歌星梦来得太迟，女间谍恨抱仔时候已过，舞男追赶他青春的水尾，只有男间谍像早点沧桑。歌唱班像是身心大解放的场所，性爱刻画大胆对白睿智精警，剧情发展天马行空，自创一格。 燕迹秦清添加。
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萨蒂亚吉特·雷伊
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This is the second film about the detective Feluda (Soumitra Chatterjee) set in the holy city of Benares, where he (along with his cousin, Topshe and friend, Lalmohan Ganguly) goes for a holiday. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to start investigation. Feluda comes in direct confrontation with Maganlal Meghraj (Utpal Dutt), a ruthless trader. Maganlal makes the mild-mannered Lalmohan a knife-thrower's target and threatens Felu to stop investigation. But there are several other suspects as an innocent artisan is brutally murdered, a shady 'holy man' holds court on the banks of the Ganges and an adventure-loving little boy (and his grand-father), brought up on crime thrillers. The climax is a shoot-out on the Ganges, followed by the unraveling of the mystery.
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Mauricio Eça
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Maníaco do Parque mergulha na história do maior serial killer brasileiro, o motoboy Francisco (Silvero Pereira), que foi acusado de atacar 21 mulheres, assassinando dez delas e escondendo seus c天伦电视剧orpos no Parque do Estado, em São Paulo. A história do assassino e os detalhes da sua psicopatia são revelados por Elena (Giovanna Grigio), uma repórter iniciante que enxerga na in九九网vestigação dos crimes cometidos pelo maníaco a grande chance de alavancar sua carreira. Enquanto Francisco segue vivendo livre e atacando mulheres, sua fama na mídia sensacionalista cresce vertiginosamente, gerando terror na capital paulista.
